February 20, 2012

ferran fages | for pau torres

t16
cd edition
300 copies
€ 12 (including international postage)

click here to order

also available as a digital download through bandcamp
(where you can also stream the music for a quick preview)

Ferran Fages: electric guitar and walkie-talkie
Composed, recorded and mixed by Ferran Fages from May to September 2009
Mastering by Pau Torres

Photography by Pau Torres
Layout by Kostis Kilymis

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It is hard getting away from the dedicatory title of this album. It’s not that it is unusual in itself, simply that a dedication like this usually implies a debt of some sort. On this occasion it is not hard to guess, given that Pau Torres is the person behind etude records, the label that put out quite a few discs Ferran has been involved in in the past years, most notably his two guitar cds ‘Cançons per a un lent retard’ and ‘Al voltant d’ un para/.lel’. So that’s reason enough for a dedication, at least in my book.

It wouldn’t be out of place to compare Pau Torres with the two guitar cds mentioned above. With them Ferran –known up until a few years ago mostly for his turntable and electronics skills- staked out a different territory for himself, one that involved melodic and chromatic explorations that were quite distanced from the textural nature of improvised music at the turn of the century. Now this new album removes itself quite a bit from the dissonant fields of the above works and delivers a thick slice of reverberating guitar explorations. Bracketed by two pieces of innovative feedback constructions, the main part of the record is Ferran at his most evocative, touching upon nocturnal tones and employing longer time structures than his previous work has gotten us used to. As such, Pau Torres is at its most effective at album length, tracing out the outlines of some invisible yet enveloping story and establishing its own and individual touch. And maybe that’s what the title is all about, maybe there is some untold story behind this, or maybe a whole story actually developed out of the two people involved -Pau’s pictures that accompany the album certainly tell their own tale alongside the music- but I’ll wager that in the 42 minutes of this disc, you won’t be needing any stories to be lending meaning to this music.

unan / nikos kyriazopoulos | mimus / skua

t17 / q12
split cassette / download edition
100 copies, on pink cassette
€ 8 (including international postage)

click here to order

also available as a digital download through bandcamp
(where you can also stream the music for a quick preview)

a: unan – mimus [21:29]
[chris chondropoulos: vinyl, turntable, processing]
b: nikos kyriazopoulos – skua [18:06]
[nikos kyriazopoulos: analog electronics]

co-produced with a question of re_entry
a question of re_entry #12

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This split-in-two-sides cassette pairs two greek artists’ responses on the subject of birdsong. Some time ago Nicolas Malevitsis (of absurd fame) asked them to contribute a piece each, on the sole premise that the work would be based, or derive from, bird sounds. Unan (aka Chris Chondropoulos) brought back a curious collage work called ‘mimus’, built from the sounds and textures of scratchy vinyl culled over time by the artist from athens’ record shops. Focusing on structure and reflecting avian language on another medium, Chondropoulos delivers an unanticipated little gem of musique concrete . Of ‘skua’, Nikos Kyriazopoulos only very cryptically says that he ”had no other choice but to tweak some knobs”. He was obviously not very interested in revealing methods and technical details, on a piece that speaks for itself by aligning its analog electronics uncannily close to birdsong in a creatively mimetic fashion. This side as well, isn’t any more lacking in thrills, and it makes for a perfect companion piece in this curious little ode to one of humanity’s most favorite muses.

Unan (Chris Chondropoulos) is an Athens based multi-percussionist and electronic music producer. Apart from his personal projects, he also appears as a member of the experimental band Xysm.

Nikos Kyriazopoulos works on a wide range of interests, from the sound of human invention to the natural landscape and hydrophony. He also designs atavistic soundscapes using filters, microphones and self-constructed electronics. Experiential hearing and the bodily felt sense is what characterizes his live performances.